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Literature Text
I stand here
and I realize
that written
hidden beneath
all the words you use
is nothing hidden at all.
Who programmed you
to write like everyone else?
Breathe and listen to your
mind, your insides.
Write like you.
Do not lose your
identity.
and I realize
that written
hidden beneath
all the words you use
is nothing hidden at all.
Who programmed you
to write like everyone else?
Breathe and listen to your
mind, your insides.
Write like you.
Do not lose your
identity.
Literature
Pride
Glances wither, voices fade
Towers crumble, mirrors crack--
What's wrong with me?
This body that never
Was meant to be mine
This son who is always
Referred to as "daughter"--
What's wrong with me?
The bundle of sticks
That's a little too happy
The "I'm proud, I swear"
That's a little too sad--
What's wrong with me?
But there's this voice
This subconscious smile
That whispers what, maybe, I knew all along,
Says maybe,
Just maybe,
"You were born this way."
There's this thought,
This near silent whisper
That speaks from the cracks of the mirror that lied,
Says maybe,
Just maybe
"There's nothing to be ashamed of."
Th
Literature
Not Trans Enough
No, no I'm not alright.
I thought I was okay when I thought I got over them. I thought everything was fine when I thought I knew who I was, but then they come in and tell me who I am and who I'm supposed to be.
But low, I'm not even Trans* enough.
I'm not Trans* enough because I'm apprehensive about taking T.
I'm not Trans* enough because I'm not constantly ogling over girls.
I'm not Trans* enough because I like to wear dresses from time to time.
I'm not Trans* enough because I don't work out at the gym.
I'm not Trans* enough because I like to Sew and Bake.
I'm not Trans* enough because I didn't 'come out' when I was 3.
I'm not Trans
Literature
So, you think you know me?
So!
You think you know me? Yes.
You think we're friends? Of course!
You learn of my sexuality!
You think you know me? I thought I did.
You think we're friends? Psh, not a chance.
Really? Are you even thinking about the relationships I have between both men and women, or is your mind going straight to the gutter and there lies your protest?
I thank you for giving me the chance to learn now rather than later the type of person you really are.
But I hate that you are the kind of person who is so discriminatory against those who are open about who they are.
Does saying that make me discriminatory too?
Suggested Collections
A general message to the poets out there that I see... particularly on deviant art. I just see a trend now where too many poets come on and ... I read their writing and I can just tell they are trying too hard to be something they aren't when they should just write who THEY are. Styles that just don't suit them. BE YOU.
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Comments4
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So sorry to be so late. I kept your comment all this time to remind me to do what I promise to do on my profile. Anyways, I wanted to get a general sense of your recent poetry so I read a few here and there. I would like to refer you to a place, since you are a free-verse poet (and a rather good one), or rather a person since he is in many places. He is my very favorite unstructured poet and what I think embodies the spirit of free verse and spoken-word poetry.
[link]
As to this poem specifically, I can agree with its theme wholeheartedly. The continuity of voice between the several poems I've read speaks to you having already found your poetic voice, which is awesome and a huge step on the road to improvement. The real temptation for free-verse poets is to completely forget all convention and write prose with funny stacking lines. That is a usual hallmark of emotional, high school-age poetry that can't really stand the travails of the professional limelight. But that is not all there is to free-verse.
I think that right now, your voice is on the brink of breaking through to a realm of the Slam poets of today or the Beat generation. That sort of poetry is attainable, but it has to be captured from within ourselves by a study and examination of our own work along with experimentation and risk.
I would encourage you not just to keep writing in your own voice, but to see what you can pull in from external sources. Read Kerouac, Whitman, Anis Mojgani, Taylor Mali, and other real masters of free-verse and see what they do. If you experiment, you will begin to grow more than any inexperienced critique from fellows on dA could ever help you to. You can take out the factor of the blind leading the blind and learn the tricks straight from the masters.
[link]
As to this poem specifically, I can agree with its theme wholeheartedly. The continuity of voice between the several poems I've read speaks to you having already found your poetic voice, which is awesome and a huge step on the road to improvement. The real temptation for free-verse poets is to completely forget all convention and write prose with funny stacking lines. That is a usual hallmark of emotional, high school-age poetry that can't really stand the travails of the professional limelight. But that is not all there is to free-verse.
I think that right now, your voice is on the brink of breaking through to a realm of the Slam poets of today or the Beat generation. That sort of poetry is attainable, but it has to be captured from within ourselves by a study and examination of our own work along with experimentation and risk.
I would encourage you not just to keep writing in your own voice, but to see what you can pull in from external sources. Read Kerouac, Whitman, Anis Mojgani, Taylor Mali, and other real masters of free-verse and see what they do. If you experiment, you will begin to grow more than any inexperienced critique from fellows on dA could ever help you to. You can take out the factor of the blind leading the blind and learn the tricks straight from the masters.